Ata Bozaci’s creative journey spans from graffiti to digital portraits to modular letter architecture. His vision of walk-in sculptures made of letters redefines the relationship between art, space, and language. A building that is both structure and readable landmark marks the next step in his aesthetic exploration.

At the heart of his work is the human figure – as form, public presence, and identity. This focus shapes series like Graffitecture (graffiti meets architecture), Typokinetics (movement meets typography), and Monotype, which explores one-of-a-kind prints combining gesture and typographic clarity.

Blending digital and analog techniques, Bozaci creates a contemporary visual language at the intersection of art, design, and urban culture.

Bozaci grew up in a working-class Turkish family. His drawing talent was already recognised in primary school. From 1992 to 1996 he studied in the graphics department at the Schule für Gestaltung (Design School), Bern. For his graduation work he made the first-ever sprayed comic. His desire to connect graffiti with graphics almost cost him his place studying. In 1992 he was invited to take part in a group exhibition with H. R. Giger at Art Frankfurt. In 1995 he designed the artwork for hip-hop band Fettes Brot’s album ‘Auf einem Auge blöd’. Further graphic commissions followed within the Bernese club and cultural scene, including a collaboration with the cult magazine SODA.

The art collector Gunter Sachs invited Bozaci, alongside Basel graffiti writer Dare, to design his apartment at the Schlosshotel Velden. Linked by the title ‘Point of View’, the artists painted six immersive pictures which merge into one complete image from just a few points of view. The work was illustrated in full in the Architectural Digest (AD) magazine. For the special exhibition ‘Die Kunst ist weiblich’ about Gunter Sachs’ life and work at the Museum der bildenden Künste (Fine Art Museum) in Leipzig, Bozaci realised a large-scale picture on steel. Bozaci's collaboration with the Galerie Springmann from Freiburg began in 2008. Group exhibitions followed with Dare, Stefan Strumbel and the street art pioneer Blek le Rat. Two works from Gunter Sachs’ collection, ‘Satan in Heaven ’and ‘Black devil’ sold well above their estimates at Sotheby's auction house in London in 2012. In 2014 two further Bozaci works were auctioned at Karl&Faber in Munich.

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